Innovation lessons from Pixar: An interview with Oscar-winning director Brad Bird

Hayagreeva Rao, Robert Sutton, and Allen P. Webb:

If there’s one thing successful innovators have shown over the years, it’s that great ideas come from unexpected places. Who could have predicted that bicycle mechanics would develop the airplane or that the US Department of Defense would give rise to a freewheeling communications platform like the Internet?
Senior executives looking for ideas about how to make their companies more innovative can also seek inspiration in surprising sources. Exhibit One: Brad Bird, Pixar’s two-time Oscar-winning director. Bird’s hands-on approach to fostering creativity among animators holds powerful lessons for any executive hoping to nurture innovation in teams and organizations.
Bird joined Pixar in 2000, when the company was riding high following its release of the world’s first computer-animated feature film, Toy Story, and the subsequent hits A Bug’s Life and Toy Story 2. Concerned about complacency, senior executives Steve Jobs, Ed Catmull, and John Lasseter asked Bird, whose body of work included The Iron Giant and The Simpsons, to join the company and shake things up. The veteran of Walt Disney, Warner Brothers, and FOX delivered—winning Academy Awards (best animated feature) for two groundbreaking movies, The Incredibles and Ratatouille.
Ten days before Ratatouille won its Oscar, we sat down with Bird at the Emeryville, California, campus of Pixar, which is now a subsidiary of Disney.1 Bird discussed the importance, in his work, of pushing teams beyond their comfort zones, encouraging dissent, and building morale. He also explained the value of “black sheep”—restless contributors with unconventional ideas. Although stimulating the creativity of animators might seem very different from developing new product ideas or technology breakthroughs, Bird’s anecdotes should stir the imagination of innovation-minded executives in any industry.

On Energy: “Some home truths about tomorrow”

Ed Wallace:

It’s about 179 miles from Fort Worth to the campus of Texas A&M in College Station, and I drove there to speak at the Student Conference On National Affairs on Thursday, February 21. It was not lost on me that making the round trip between the Metroplex and A&M’s Memorial Student Center meant that I would use the equivalent of one barrel of oil to discuss the fallacy of America’s quest for energy independence.
My slight amusement continued when one of the first students I met had arrived late from Chicago because his luggage had been misrouted and lost by the airline. I doubted that he got the irony of how much fuel it took to bring him the 1,100 miles from Chicago to Texas to attend SCONA 53, which was titled “Creating A Sustainable Global Energy Policy.”
Simply Selfish: Ethanol or Food
My talk came after an address by the Ambassador of Azerbaijan and before talks by Mark Albers, a senior vice president of Exxon, and by Virginia Governor George Allen. I had been asked to speak that afternoon about the magic of alternative fuels’ saving the day and alleviating the current energy crisis – assuming that high price is the sole determining factor in today’s energy debate. I felt the best way to do that was to discuss the beginnings of the automotive age in both America and the world, to relate to the students and professionals attending how, in the 1920s, these exact same circumstances led to a campaign to wean the American public off of oil – and why today the debate is back, but the end results will be the same.
I usually find it best to use 4th-grade math to show the fallacy of the again-current line of thinking about alternative fuels such as ethanol. After all, most people seem shocked to learn the fact that a new 2008 Suburban, designed to run on E85 ethanol and in which the owner uses only E85 as fuel, requires four acres of farmland be dedicated to corn production to keep that one vehicle running. But it’s true: That Suburban owner may live in a beautiful home on a quarter acre in the Metroplex, but somewhere in America four acres of corn must be set aside to provide fuel for just that one SUV.

Clues to the Disappearance of Antoine de Saint-Exupery

John Taglibue:

After the disappearance of Amelia Earhart, the demise of Antoine de Saint-Exupéry on a reconnaissance mission in World War II has long ranked as one of aviation’s great mysteries. Now, thanks to the tenacity and luck of a two amateur archaeologists, the final pieces of the puzzle seem to have been filled in.
The story that emerged about the disappearance of Saint-Exupéry, the French aviator, author and émigré from Vichy France, proved to contain several narratives, a complexity that would likely have pleased the author of several adventure books on flying and the charming tale “The Little Prince,” about a little interstellar traveler, which was also a profound statement of faith.
On July 31, 1944, Saint-Exupéry took off from the island of Corsica in a Lockheed Lightning P-38 reconnaissance plane, one of numerous French pilots who assisted the Allied war effort. Saint-Exupéry never returned, and over the years numerous theories arose: that he had been shot down, lost control of his plane, even that he committed suicide.
The first clue surfaced in September 1998, when fishermen off this Mediterranean port city dragged up a silver bracelet with their nets. It bore the names of Saint-Exupéry and his New York publisher. Further searches by divers turned up the badly damaged remains of his plane, though the body of the pilot was never found.

I’ve read (Le Petit Prince) “The Little Prince” to our children any number of times. Clusty Search: Antoine de Saint-Exupery.

Taxis in the Sky

Jim Fallows:

True, a cover story I wrote for this magazine seven years ago, contending that the era of tiny, convenient, and relatively affordable jet airplanes was at hand, won an Article of the Year award from an aviation lobbying group. But it would be fair to describe the broader reaction as: Oh, sure! (“Freedom of the Skies,” June 2001, was excerpted from my book Free Flight.) New and more fuel-efficient jet engines; new, quieter, and more comfortable small airplanes; new and more-automated ways of routing aircraft around bad weather and away from congested areas—these and other innovations, I wrote, might make a new kind of air travel more practical for more people. This wouldn’t mean personal aviation in the Jetsons sense—a plane in every garage, people zooming around at will. But it might provide business travelers with something that until then only the truly rich had enjoyed: a fast and personalized alternative to the ever less delightful experience of travel on commercial airlines.
Most readers thought that personal airplanes, like personal yachts, would always be the playthings of the very rich. The familiar (and aptly named) Airbus or Boeing aircraft would have to do, as would impenetrable modern fare structures and the grind of big-airport congestion. It obviously didn’t help that three months later, the use of passenger airplanes as terrorist tools put aviation in general under new limits and scrutiny. Allow new routes and possibilities for air travel? Ha! Everything air-related was destined to be more controlled.

French Theory in America

Stanley Fish:

It was in sometime in the ’80s when I heard someone on the radio talking about Clint Eastwood’s 1980 movie “Bronco Billy.” It is, he said, a “nice little film in which Eastwood deconstructs his ‘Dirty Harry’ image.”
That was probably not the first time the verb “deconstruct” was used casually to describe a piece of pop culture, but it was the first time I had encountered it, and I remember thinking that the age of theory was surely over now that one of its key terms had been appropriated, domesticated and commodified. It had also been used with some precision. What the radio critic meant was that the flinty masculine realism of the “Dirty Harry” movies — it’s a hard world and it takes a hard man to deal with its evils — is affectionately parodied in the story of a former New Jersey shoe salesman who dresses and talks like a tough cowboy, but is the good-hearted proprietor of a traveling Wild West show aimed at little children. It’s all an act , a confected fable, but so is Dirty Harry; so is everything. If deconstruction was something that an American male icon performed, there was no reason to fear it; truth, reason and the American way were safe.
It turned out, of course, that my conclusion was hasty and premature, for it was in the early ’90s that the culture wars went into high gear and the chief target of the neo-conservative side was this theory that I thought had run its course. It became clear that it had a second life, or a second run, as the villain of a cultural melodrama produced and starred in by Alan Bloom, Dinesh D’Souza, Roger Kimble and other denizens of the right, even as its influence was declining in the academic precincts this crew relentlessly attacked.

“The National Data Center and Personal Privacy”

Arthur Miller:

I can’t tell you how excited I was when I found this magazine on eBay. I thought that the author was this Arthur Miller. An article about the personal privacy threats inherent in massive government databases, written by the author of the Crucible sounded amazing. It turns out that the author was actually this Arthur Miller, and I don’t think anyone could have done a better job.

This is the most amazingly prescient article I’ve ever read. When people write about the future they are usually wrong. When people write about the future of computers, they are usually even more wrong. This article got everything right. If you changed the tense and a few bits of jargon, then handed to me and told me it was written by the EFF, I’d believe it.

Just to give you an idea of how right he was on even the basic computer stuff, here’s the second paragraph of the article. Keep in mind that this is what desktop computers looked like in 1967.

“The modern computer is more than a sophisticated indexing or adding machine, or a miniaturized library; it is the keystone for a new communications medium whose capacities and implications we are only beginning to realize. In the foreseeable future, computer systems will be tied together by television, satellites, and lasers, and we will move large quantities of information over vast distances in imperceptible units of time.”

Forty-one years ago Arthur R. Miller laid out all of the privacy threats that we face now. The power that credit reporting databases have over us. The illegal government use of our financial and phone records. The attempt to build a master database tying all of these together. The fact that the government might consider you a threat if you so much as sent a Christmas card to someone the government has on a watch list. It’s all here. He basically predicted and laid out all of the arguments against the Total Information Awareness program and the current NSA programs that have been so much in the news.

It’s nice to know there were people who were so ahead of the curve in trying to protect our rights, and it’s a tragedy that more people didn’t listen. I think it speaks strongly to the need to pay attention to this stuff now, because this problem will only get worse.

“The Best in April Foolery Around the Web”

Tom Weber:

OK, so maybe you’re working today instead of surfing around the Web for April Fool’s jokes. Fear not: Buzzwatch is here to help with a roundup of April Foolery online.
At Google, where April 1 is celebrated annually with jokes throughout the company’s sites, the main offering this year is a chance to join “Project Virgle” and become a Mars colonist.
Google’s Gmail has its own prank. Users today are informed of a new “Custom Time” feature that promises to predate emails so they appear to have been sent in the past. “Worry less,” Gmail says. “Forget your finance reports. Forget your anniversary. We’ll make it look like you remembered.”
If you’re looking to stage your own joke on a coworker today, Lifehacker has an excellent list of suggestions. One example: replace someone’s Windows desktop with an image of the desktop and watch the victim try to click on the unclickable icons. Ah, sometimes it’s the simple things.
Even NASA can’t resist joining the foolery. From the space agency’s popular Astronomy Picture of the Day site comes news that the new space station robot is demanding that humans call it by the name “Dextre the Magnificent.”