The Author as Performer

James Harkin:

Late last year, for one night only, fans of the musical The Lion King were turned away from the Lyceum theatre in London’s West End. If they had been able to peer inside at the stage they would have witnessed not Simba, dancers in multicoloured costumes and “The Circle of Life” but a solitary, slender 45-year-old Canadian with bouffant hair standing behind a lectern. There were no props, apart from the video screen relaying his image around the huge auditorium, but this didn’t bother the youngish crowd who had bought 4,000 tickets at around £20 a piece to listen to one of two consecutive performances.


The speaker was the influential journalist, author and ideas entrepreneur Malcolm Gladwell, in town to promote his latest book, Outliers: The Story of Success. But this wasn’t a book reading or a Q&A session of the kind authors traditionally submit to. Neither was it a slide show, as you might expect to find at a lecture. Instead, the author recounted a single vignette from the book – the tale of why a plane ended up crashing, from the perspective of the pilots and those in the control tower – and burnished it into a narrative with all the chill and pace of a traditional ghost story. Even the lighting was kept deliberately low to create the right atmosphere. The performance lasted precisely an hour and five minutes, and no questions were invited after Gladwell had finished speaking. Rather than a talk about a book, it looked more like a carefully choreographed stage show.

Peter Bernstein’s Lasting Lessons

Julia Kirby:

The news came to us at HBR just after our newest issue went to the printer; that issue contains, sadly, the last article he wrote for our pages. Because it is the July-August issue, and will arrive on newsstands two weeks hence, it will seem strange to many readers that the byline makes no note of his passing — and worse, that the editor’s letter is mute on the many accomplishments of his rich and long life. Such are the perils of print publishing, and for that we apologize.

But here let it be said that, when work began last January on envisioning the July-August issue — a special, double-sized issue devoted wholly to exploring how the business landscape would be transformed by the financial crisis and recession — Peter Bernstein’s voice was the first we sought to include. He was the master at explaining issues of financial risk, and there has scarcely been a time when the world needed his kind of clear analysis more.

In response to a vaguely worded invitation from us (deliberately so, in the interests of giving Peter full license to address what he felt needed to be addressed), he came back with a tightly crafted essay called “The Moral Hazard Economy.”

On Manufacturing in China

The Economist:

HE recent scandals about poisoned baby milk, contaminated pet food and dangerous toys from China have raised questions about manufacturing standards in the country that has become factory to the world. In China’s defence, it was probably inevitable that as production grew so would the problems associated with it, at least in the short term. Similarly, it could be argued that China is going through the same quality cycle that occurred during Japan’s post-war development or America’s manufacturing boom in the late 19th century—but in an environment with infinitely more scrutiny.


A response to both these observations can be found in “Poorly Made in China” by Paul Midler, a fluent Chinese speaker who in 2001 moved to China to work as a consultant to the growing numbers of Western companies now replacing factories in Europe and America with subcontracting relationships in the emerging industrial zone surrounding Guangzhou. It was the perfect period to arrive. The normal problems of starting a business, such as getting clients or providing a value proposition, do not hinder Mr Midler, who had the benefit of being in the right place at the right time.

How Rich Countries Die

Philip Greenspun:

This is a book report on The Rise and Decline of Nations: Economic Growth, Stagflation, and Social Rigidities, by Mancur Olson. There isn’t a whole lot about how nations pulled themselves out of their medieval stagnation (see A Farewell to Alms for that), so a better title for this still-in-print book from 1982 would be “How Rich Countries Die.”


Table 1.1 shows annual rates of growth in per-capita GDP for each of three decades, the 1950s, 60s, and 70s, in a range of rich countries. Contrary to our perception of the U.S. as a growth dynamo and the Europeans as sclerotic, France and Germany tremendously outperformed the U.S., as did most of the other countries. If we have grown larger it is because our population has expanded much faster than the European countries.



Chapter 2 summarizes Olson’s groundbreaking work on how interest groups work to reduce a society’s efficiency and GDP. Some of this work seems obvious in retrospect and indeed Adam Smith noted that businessmen rarely met without conspiring against the public interest. There are a handful of automobile producers and millions of automobile consumers. It makes sense for an automobile company, acting individually, to lobby Congress for tariffs. The company will reap 20-40 percent of the benefits of the tariff. It doesn’t make sense for an individual consumer, however, to lobby Congress. It will cost him millions of dollars to lobby against Congress and preventing the tariff will save him only a few thousand dollars on his next car purchase. The economy suffers because some resources that would have been put to productive use are instead hanging around Washington and because cars are more expensive than they should be.

Nassim Nicholas Taleb: the prophet of boom and doom

Bryan Appleyard:

“You have to worry about things you can do something about. I worry about people not being there and I want to make them aware.” We should be mistrustful of knowledge. It is bad for us. Give a bookie 10 pieces of information about a race and he’ll pick his horses. Give him 50 and his picks will be no better, but he will, fatally, be more confident.
We should be ecologically conservative – global warming may or may not be happening but why pollute the planet? – and probablistically conservative. The latter, however, has its limits. Nobody, not even Taleb, can live the sceptical life all the time – “It’s an art, it’s hard work.” So he doesn’t worry about crossing the road and doesn’t lock his front door – “I can’t start getting paranoid about that stuff.” His wife locks it, however.
He believes in aristocratic – though not, he insists, elitist – values: elegance of manner and mind, grace under pressure, which is why you must shave before being executed. He believes in the Mediterranean way of talking and listening. One piece of advice he gives everybody is: go to lots of parties and listen, you might learn something by exposing yourself to black swans.
I ask him what he thinks are the primary human virtues, and eventually he comes up with magnanimity – punish your enemies but don’t bear grudges; compassion – fairness always trumps efficiency; courage – very few people have this; and tenacity – tinker until it works for you.

Recent Book: Retribution

Is a worthwhile read, particularly for the history of our relations with mainland China. Jonathan Beard posted a brief review:

When Max Hastings chose “Retribution” as the title for his overview of the last two years of World War II in Asia, it is obvious that he had Japan in mind. This is the story of Japan reaping the whirlwind for the winds it had sown since 1937 in China, and since Pearl Harbor in 1941. But retribution also means a distribution of rewards and punishments, and it is here that Hastings stands out: this is the most judgmental work of military history I have ever read. Hastings passes out a little praise–he greatly admires William Slim for his generalship in Burma, and has kind words for Chester Nimitz–but his forte is denunciations. The most consistent target of his wrath is Douglas MacArthur, but his condemnation of William Halsey for his performance at Leyte Gulf is harsh as well. He also devotes an entire (short) chapter to condemning the Australian people, military, labor movement and leadership for their performance in the last stages of the war. But these are just the controversial denunciations. He reserves most of his anger for Japan, especially its leaders, from Hirohito down to individual officers, accusing most of them of combining casual cruelty with moral cowardice. But the Japanese are not alone: Hastings condemns all the Western powers for their patronizing, racist treatment of Asian allies, and, on the other side, sees both Chiang Kai-Shek and Mao Zedong as tyrants lacking human feelings for their own people.

Recent Books

Cultural Amnesia by Clive James. A large, interesting book. Slate posted a selection of the book’s essays here.
The Bin Ladens by Steve Coll. In many ways, this book repeats the mantra that “those who fail to understand history are condemned to repeat it”. Quite a work and a nice complement to his Ghost Wars.
Comrade J by Pete Earley (fascinating read):

In 1991, the Soviet Union collapsed, the Cold War officially ended, and a new world order began. We thought everything had changed. But one thing never did: the spies. From 1995 until 2000, a man known as “Comrade J” directed all Russian spy action in New York and oversaw all covert operations against the U.S. and its allies. He recruited spies, planted Russian agents, penetrated U.N. and U.S. security, and manipulated events that influenced American policy, under the direct leadership of Boris Yeltsin and Vladimir Putin. He was a legend, the man who guarded Russia’s secrets – secrets that he never revealed…..until now. Based on exclusive interviews with Russian spymaster and double agent, Sergei Tretyakov, Comrade J exposes how the “new” Russia continues to spy and undermine the U.S.

Clues to the Disappearance of Antoine de Saint-Exupery

John Taglibue:

After the disappearance of Amelia Earhart, the demise of Antoine de Saint-Exupéry on a reconnaissance mission in World War II has long ranked as one of aviation’s great mysteries. Now, thanks to the tenacity and luck of a two amateur archaeologists, the final pieces of the puzzle seem to have been filled in.
The story that emerged about the disappearance of Saint-Exupéry, the French aviator, author and émigré from Vichy France, proved to contain several narratives, a complexity that would likely have pleased the author of several adventure books on flying and the charming tale “The Little Prince,” about a little interstellar traveler, which was also a profound statement of faith.
On July 31, 1944, Saint-Exupéry took off from the island of Corsica in a Lockheed Lightning P-38 reconnaissance plane, one of numerous French pilots who assisted the Allied war effort. Saint-Exupéry never returned, and over the years numerous theories arose: that he had been shot down, lost control of his plane, even that he committed suicide.
The first clue surfaced in September 1998, when fishermen off this Mediterranean port city dragged up a silver bracelet with their nets. It bore the names of Saint-Exupéry and his New York publisher. Further searches by divers turned up the badly damaged remains of his plane, though the body of the pilot was never found.

I’ve read (Le Petit Prince) “The Little Prince” to our children any number of times. Clusty Search: Antoine de Saint-Exupery.

My Trust in My Lord

Anne Rice:

Look: I believe in Him. It’s that simple and that complex. I believe in Jesus Christ, the Second Person of the Blessed Trinity, the God Man who came to earth, born as a tiny baby and then lived over thirty years in our midst. I believe in what we celebrate this week: the scandal of the cross and the miracle of the Resurrection. My belief is total. And I know that I cannot convince anyone of it by reason, anymore than an atheist can convince me, by reason, that there is no God.
A long life of historical study and biblical research led me to my belief, and when faith returned to me, the return was total. It transformed my existence completely; it changed the direction of the journey I was traveling through the world. Within a few years of my return to Christ, I dedicated my work to Him, vowing to write for Him and Him alone. My study of Scripture deepened; my study of New Testament scholarship became a daily commitment. My prayers and my meditation were centered on Christ.
And my writing for Him became a vocation that eclipsed my profession as a writer that had existed before.
Why did faith come back to me? I don’t claim to know the answer. But what I want to talk about right now is trust. Faith for me was intimately involved with love for God and trust in Him, and that trust in Him was as transformative as the love.

Clusty Search: Anne Rice.