Category: Music

Satellite Radio Answers the Question

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i’ve not thought much about satellite radio (XM, Sirius) until a recent lengthy drive around central Colorado. Prior to satellite radio, if you wanted music while driving, the choices were:

  • an iPod with an fm adaptor, or a cable plugged into the rental car’s radio, or
  • Local radio

Hertz, perhaps via a Sirius promotion, included their service in my rental car. I was pleasantly surprised with the depth and breadth of music available (though Lefsetz says that XM is superior in this respect – and in reception quality).

Several of Sirius’s songs were a pleasant surprise: Elton John’s classic “Funeral for a Friend” and Willie Nelson’s acoustic “Crazy“, among others.

There were some disappointments, including replays (Coldplay) and the odd playing of the “Fray” in Sirius’s “Coffeehouse” program. I have to assume that they are paid to plug the Fray.

I was pleasantly surprised with the Sirius reception while driving in Canyons. The only places we lost reception were I-70’s Eisenhower Tunnel and in some deep canyons.

The satellite choices certainly are compelling, particularly given the same old, same old, played over and over on traditional stations.

Finally, I continue to be amazed at the quantity of 30 and 40 year old music played in restaurants, cafe’s and bars. Lunching on trout tacos one day, we heard Joan Baez, Steve Miller, The Who, the Rolling Stones and Led Zeppelin among many others. Is there nothing interesting from the 21st Century?

Hilary Rosen Gets DRM Religion?

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Eliot Van Buskirk:

Obviously, Apple has a business strategy that says “proprietary” works for them. The record companies, I think, have tried to convince Apple to open up their system. I don’t think that’s been successful. The choice now is to either go unprotected so everybody has the same shot and the market expands, or to continue down what I think is an unfriendly path for consumers and the industry, because I don’t think it’s growing as fast as it can.

I understand there’s a rabid philosophy on both sides of this to protect or not to protect … and I actually am not that black and white about it. I think if people want to protect their content, and want to have a DRM or a business model that limits its distribution, that’s okay. If others don’t want to, that’s okay too. That’s why I like Creative Commons. It’s all about choice. What I have focused on is what will most dramatically expand the music market at a time when device choices feel so limited and the service side is so underutilized.

Music Sales: Fewer Big Hits, Many More Sales at the Tail….

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Chris Anderson:

Larry Lessig pointed me to an interesting bit of research on filesharing and the decline of music sales in Denmark, which shows that the fall in sales has been felt far more in the hits than in the niches. The work, by Claus Pedersen, uses data from the Nordic Copyright Bureau. That means the data are not just estimates of sales declines, but actual sales. I’ve charted one aspect of the research, which looks at the change in sales in four sales categories, from bestsellers to the long tail:

Lefsetz FM Playlist

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Bob Lefsetz:

Yesterday was Mike Marrone’s fiftieth birthday. And he had the idea that I should substitute for him on the Loft. So, when I was at XM two weeks ago, we created six hours of programming. I couldn’t turn on the radio yesterday until about four, an hour after I started, but when I pushed the button on my boombox, I was shocked. Because it was my choices. And then me, coming over the airwaves.

Now Mike has got 13,000 plus songs in his library. And I was rushing to catch a plane. So, I quickly picked tracks. After hearing myself I was so elated that I fired up my Inno and recorded what was left of my show. People always ask me what I listen to, well, here you go.

DRM Stifling Innovation?

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Fritz Attaway & Wendy Seltzer:

>Consumers now have the ability to buy digital versions of music and movies from a vast (and growing) online catalog. But that convenience has come at a price: Most of the digital content is packaged with technology called digital rights management, or DRM, a sort of copy protection that limits what users can do with the material.

The music and movie industries defend DRM as a means of protecting artists and publishers — without it, they say, it would be too easy for users to abuse copyrights by illegally swapping files over the Internet. They also argue that without DRM technologies, publishers wouldn’t have been willing to distribute their content in online music and video stores, such as Apple’s iTunes.

But some consumer advocates argue that DRM often goes too far, treating customers as would-be criminals and putting burdensome restrictions on what they can do with music and movies that were legally purchased. (ITunes, for instance, allows users to burn music to an unlimited number of CDs, but limits the number of computers on which users can play purchased music.)