{"id":3093,"date":"2007-11-14T11:43:39","date_gmt":"2007-11-14T11:43:39","guid":{"rendered":"http:\/\/zmetro.com\/?p=3093"},"modified":"2007-11-14T11:43:39","modified_gmt":"2007-11-14T11:43:39","slug":"asian_artists_p","status":"publish","type":"post","link":"https:\/\/www.zmetro.com\/?p=3093","title":{"rendered":"Asian Artists Paint the Color Of Money"},"content":{"rendered":"<p><a href=\"http:\/\/www.time.com\/time\/magazine\/article\/0,9171,1678667,00.html\">Hannah Beech<\/a>: <\/p>\n<blockquote><p><i>Throughout Asia&#8217;s developing nations, once penniless painters are getting used to this most unexpected emotion. The region&#8217;s contemporary-art market has never been so hot. Last year, a collection of dreamlike portraits and landscapes by China&#8217;s Zhang Xiaogang raked in just over $24 million \u2014 more than British enfant terrible Damien Hirst made in 2006. In March, a sale of modern Indian art in New York City raised a record $15 million, including just under $800,000 for Captives, a stark evocation of desiccated torsos by New Delhi\u2013born Rameshwar Broota. Two months later, an auction in London elicited $1.42 million for a Tantric-inspired oil painting by India&#8217;s Syed Haider Raza. Even in Vietnam, idyllic rural scenes coated in the country&#8217;s distinctive lacquer that sold for a few hundred dollars a few years ago are now selling for 10 times that. A gouache-and-ink painting by Vietnamese post-impressionist Le Pho, whose work is part of the permanent exhibition at the Modern Art Museum in Paris, captured nearly $250,000 at a Singapore sale. Overall, leading auction houses Sotheby&#8217;s and Christie&#8217;s auctioned $190 million in contemporary Asian art last year, compared to $22 million just two years before. &#8220;This is just the beginning,&#8221; says Swiss art dealer Pierre Huber, who in September oversaw a debut contemporary Asian art fair in Shanghai. &#8220;For so long, people did not know about Asian art. But now the world is turning to Asia, and what they see is amazing.&#8221;<\/i><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p><a href=\"http:\/\/www.time.com\/time\/magazine\/article\/0,9171,1678667,00.html\">Hannah Beech<\/a>: <\/p>\n<blockquote><p><i>Throughout Asia&#8217;s developing nations, once penniless painters are getting used to this most unexpected emotion. The region&#8217;s contemporary-art market has never been so hot. Last year, a collection of dreamlike portraits and landscapes by China&#8217;s Zhang Xiaogang raked in just over $24 million \u2014 more than British enfant terrible Damien Hirst made in 2006. In March, a sale of modern Indian art in New York City raised a record $15 million, including just under $800,000 for Captives, a stark evocation of desiccated torsos by New Delhi\u2013born Rameshwar Broota. Two months later, an auction in London elicited $1.42 million for a Tantric-inspired oil painting by India&#8217;s Syed Haider Raza. Even in Vietnam, idyllic rural scenes coated in the country&#8217;s distinctive lacquer that sold for a few hundred dollars a few years ago are now selling for 10 times that. A gouache-and-ink painting by Vietnamese post-impressionist Le Pho, whose work is part of the permanent exhibition at the Modern Art Museum in Paris, captured nearly $250,000 at a Singapore sale. Overall, leading auction houses Sotheby&#8217;s and Christie&#8217;s auctioned $190 million in contemporary Asian art last year, compared to $22 million just two years before. &#8220;This is just the beginning,&#8221; says Swiss art dealer Pierre Huber, who in September oversaw a debut contemporary Asian art fair in Shanghai. &#8220;For so long, people did not know about Asian art. But now the world is turning to Asia, and what they see is amazing.&#8221;<\/i><\/p><\/blockquote>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.zmetro.com\/index.php?rest_route=\/wp\/v2\/posts\/3093"}],"collection":[{"href":"https:\/\/www.zmetro.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zmetro.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zmetro.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zmetro.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3093"}],"version-history":[{"count":0,"href":"https:\/\/www.zmetro.com\/index.php?rest_route=\/wp\/v2\/posts\/3093\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.zmetro.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zmetro.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zmetro.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}