The Rural South

Elisabeth Biondi

For one weekend every year since 2003, tiny Concord, Georgia, population 336, becomes a photography mecca. “Slow Exposures” lures photographers, curators, and editors to look at pictures from the South, to discuss and debate them, and to exchange experiences, all thanks to the wonderful Chris Curry and Nancy McCrary, with the help of a staff of cheerful volunteers. Southern conviviality and hospitality create an ambiance that is most of all creative and communicative.
Chris and Nancy created the festival as a photographic center representing the rural South. It is a non-profit organization, with proceeds going toward the preservation and restoration of historic buildings and land in Pike County, and attracts devotees and newcomers for a full slate of photographic events: a juried photography show, an all-day portfolio review, and exhibitions, all in beautifully restored local buildings. This year, John Bennette, a curator, collector, and champion of artists, conceived the wonderful exhibition “Southern Memories: Part I” for the festival, on view in the restored Whiskey Bonding Bar, in Molena. The show is John’s subjective vision of the South, shaped by his memories—he grew up in Birmingham, Alabama, and now lives in New York. Asking himself what is important in the South, he came up with four categories: the land, God, school, and Southern history; he believes that history—i.e., the Civil War—still drives Southern culture today. His show avoids the extremes of rich and poor and stays away from clichés. Many of the artists he included were discovered in earlier “Slow Exposure” shows, and were surprises to me.

What was the last great football team that played the sport for love and camaraderie, not money or fame?…

John Michaud

It’s late afternoon on a football Sunday in the Northeast, circa 1976. Outside, the sun is setting. Soon your mother will call you up for dinner. But, before then, you want more football. You flip over to NBC and there, in West Coast sunshine, is a team wearing silver and black, playing with a kind of controlled recklessness. Their logo features a pair of crossed swords and a man with an eyepatch; their coach is a shambling, wild-haired guy; their quarterback is nicknamed Snake; and their owner looks like he carries a stiletto in his jacket. You watch them play and before you know it, you’ve fallen in love with this team. Before you know it, you’ve abandoned your Redskins or Eagles or Jets. You’re now an Oakland Raiders fan.
If any of the above resonates for you, then you will want to read Peter Richmond’s new book, “Badasses: The Legend of Snake, Foo, Dr. Death, and John Madden’s Oakland Raiders,” which has just been published by Harper. Richmond, who is the author of numerous books on sports (as well as a Shouts & Murmurs piece about Ken Griffey, Jr. published in The New Yorker), kindly agreed to answer a few questions by e-mail.